And for the third and final birthday guest post, we’re looking at how rock ‘n’ rollers will never really retire, let alone die (although personally, I think both Lemmy and Keith Richards are both undead already…). Thank you to BeatCityTone for this excellent post, and over to him for the important info:
Beat City Tone does a New Music podcast called Beat City and an Old Music podcast called Retro Beat City. He can be found on Twitter here @beatcitytone. The only thing Beat City Tone hates more than people who use stupid pseudonyms on Twitter is people who refer to themselves in the third person. And more power to him for that.
LEMMY CANCELS GIGS BECAUSE HE WAS HIGH:
You may have seen the news that grizzled old former Jimi Hendrix roadie, current Motorhead-fronting Nazi-memorabilia collecting ex-rocker Lemmy has had to cancel a few dates in Texas owing to experiencing breathing problems during a gig in Salt Lake City, Utah.
Today’s guest post is something a little different. For the first time in the history of Another Kind Of Mind, I’m publishing some fiction – and this is not just any old fiction: this is an exclusive and previously unpublished extract from a brand new novel by Rick Leach, who has kindly let me post it here. Rick is the author of a number of non-fiction books about music, including the Glastonbury Trilogy (you can buy them here, here, here and here), and also contributed a birthday guest post last year too. You can find Rick on Twitter, and check out his blog here.
I don’t know about you, but having read this extract, I really want to know what happens next….
I am sitting alone in the car, by the side of the river. It is night time. I look at my watch to check the time. The clock on the dashboard isn’t working. Actually it is working. It’s just that it’s set to the wrong time and has been for as long as I can remember. I’m not sure if I know how to reset it. Or I can’t be bothered messing around. There is a certain comfort in knowing that it is completely wrong. It seems to jump to a different time every time I start the engine, suddenly leaping forwards ten minutes or so. I think that means that unlike a stopped watch, it’s probably not even correct twice a day. Maybe I’m wrong. Maybe it does give the right time twice a day. I shrug to myself. I suppose it doesn’t really matter.
I look at my watch. It is a little before 11.00 o’clock. I have a lot of time to spare. There is no need to make a move yet. I stare out of the windscreen and look at the lights from the opposite side reflecting on the water. It is really calm. There is not a breath of wind in the air. The river seems to be barely moving, although I know it must be. The water is as flat as a sheet of glass, just swaying gently. It is like a black mirror. The only thing that I can see moving is a container ship slowly heading off to sea. I wonder where it’s going. Thousands of miles away. Another country.
Finally! The birthday guest posts are here…. First up, I’d like to say a very big thank you to Paul (aka @thehatandbeard) for contributing this highly thought-provoking post on how our taste in music (perhaps inevitably?) changes over time, which I am sure will get you lot discussing and debating! Feel free to let us know what you think in the comments, and watch out for another guest post tomorrow…
This is the story of how I fell out of love with rock music. There wasn’t a specific incident or event that caused it but, rather like falling out of love with a person, a series of clues that, when taken together over time, left no doubt that it had happened.
I’m not going to attempt to define what I mean by rock as entering into the world of genre politics would just take too long. I’m going to assume that, broadly, we all pretty much know what it is.
I love music. I’ve loved it since I would hear my, slightly older, neighbour Richard play The Spencer Davis Group’s ‘Keep On Running’ through the bedroom party wall. It was 1965 and I was eight years old. Even before that I can remember being impressed by Susan Maughan’s 1962 hit ‘Bobbie’s Girl’ which I would hear on the family radio.
I went on to love The Beatles, The Monkees and everything similar but didn’t have access to a record player until I insisted on being bought one as a fourteen year old T.Rex obsessive. Electric Warrior was my first buy and I still have, and play, that wonderful LP.
With today’s final birthday guest post, we’re changing tack a little. When I asked Rose to write something about the stigma associated with mental illness, I thought it would be an interesting insight into a subject that is close to both our hearts – but with the recent suicide of the comedian Robin Williams and the public and media response to this tragic event, the topic has taken on a whole new significance. This is an honest and thoughtful post, and I freely admit that I strongly identify with a lot of what is said here. I am sure that this post will also strike a chord with others.
Rose blogs at the excellent roseversusblackdog about her experiences of and ongoing recovery from mental health issues. Even if you have no personal experience of mental illness (and especially if you do), her blog is definitely a recommended read.
August 11th 2014 – I woke up at 3am suffering from an anxiety attack and decided to have a quick browse on Twitter to distract myself. One tweet caught my eye – I saw the words “Robin Williams dead at 63 – Suspected Suicide”.
Tweet after tweet. Overwhelming sadness.
“Get help!” “Tell someone” “You can get better”.
Understandable messages from concerned well-wishers some who were probably worried about their own friends and family.
I also thought a lot about the exhortations to “speak up” and “tell someone”.
I would like to explain why this is such courageous act and why given the possible consequences, we should have understanding and compassion for people who wish to stay silent.
For today’s birthday guest post, musician and blogger Ian Lipthorpe has decided to examine a subject I am sure many of us will have an opinion on – when you listen to a song, what is more important, the music or the lyrics? And why? I have to admit I go with both, depending on the song, but you may disagree with me – or with Ian. Have your say in the comments below!
If you’d like to read more, Ian blogs about music over at Harmony Corruption. He also curated the unofficial Manic Street Preachers Top 50 site New Chart Riot and you can hear some of his music (under the name Beneath Utopia) on Soundcloud.
In the world of modern music the majority of songs we listen to contain lyrics in one form or another. So it got me thinking, how much importance do we put on lyrics in songs compared to the music? Do we listen to the music first and the lyrics second, if at all? Do the lyrics make a difference as to how much we like a song? Does anyone like a song because of the lyrics but aren’t especially keen on the music?
There are obviously varying degrees of all of the above, but the subject does intrigue me. You see, I’m a music man through and through. I know the lyrics, I sing the lyrics, but to paraphrase Nirvana on ‘In Bloom’, I don’t necessarily think about what it means. Even stranger, you might think, given my well-known Manics tendencies. That doesn’t mean I don’t have the capacity to read them and understand what they mean, I just generally don’t bother (shame on you, you cry!).
Thank you very much to Fi for this thought-provoking birthday guest post on a subject that many of us probably haven’t ever contemplated much – but perhaps we should. Can you trace where your love of or taste in music comes from? Why is music important to you? How has your taste in music changed over time? Plenty of food for thought here, please feel free to share your opinions and views in the comments!
If you’d like to read more, Fi also blogs over at Music vs. The World, where she reviews new and unsigned music, and compiles excellent and eclectic Twitter-sourced themed playlists.
Why are we drawn to music? We hear a song, we either like or dislike it, and we make a choice to make it a part of our collection or never listen to it again. That’s it, right? Well, I don’t think it’s quite as simple as that. We just don’t tend to stop and think about it all that often.
There is, of course, a well-studied science behind people and reactions to sounds – we know that many parts of the brain are activated when listening to music. The temporal lobe recognises and processes sound frequencies, and analyses information from music – pitch, speed and volume. The cerebrum recalls lyrics and stimulates memories associated with certain songs. The cerebellum affects movement, which can be rhythmic in response to music. The limbic system is the part of the brain that produces the emotional reaction to music.
I have a question. If it’s all down to science, why doesn’t everyone like the same kind of music? Why are some people completely averse to the same sounds that another group of people can’t get enough of?
Regular readers will know that I’m celebrating Another Kind Of Mind’s fifth birthday at the moment by hearing from a number of my favourite bloggers and tweeters. Today’s birthday guest post comes from Rick J Leach, who is the author of Turn Left At The Womble: How a 48 year old Dad survived his first time at Glastonbury and Totally Shuffled: A Year of Listening to Music on a Broken iPod. He also blogs about music over at Turn Left At The Womble and is ever interesting on Twitter. He’s chosen to write about a subject that is very close to this old music geek’s heart (in fact, I may well write a reply post to this at some point). What do you think? Do you agree with him? Feel free to comment…
Is it just me?
Am I getting too old?
Is there something (not) going on?
Music just doesn’t seem significant these days.
I am writing this from the perspective of a 50 year-old music fan and as someone for whom music has played (and still continues to play) a significant part in my life since I was probably 10 or 11 years old. I can’t imagine life without music. I can’t imagine not listening to any and all genres of music and not being excited about what may be coming up, just around the corner. (Although more of that in a bit).
As today is World Cup Final day, I thought it was about time for something football-related on Another Kind Of Mind. I’ve also been wanting to put up some guest posts from bloggers I like and admire – so why not combine the two? This fascinating post on the history of the Brazilian national side in the World Cup and the decline of their style of ‘samba soccer’ is the first of these guest posts, and has been written exclusively for me by my old friend and fellow blogger Martin Marshall. So, thanks to Martin for this intriguing post and I hope you all enjoy reading!
So, the 2010 World Cup is almost over and we are guaranteed new winners. Very soon now either The Netherlands will no longer be the best team never to win the World Cup or Spain will complete the job they began two years ago in proving that they are no longer football’s great underachievers.
Football changes, it’s an evolving sport, affected by innovations in tactics, training, sports science and nutrition, not to mention the socio-economic factors of rising player wages and changing participation models. Yet our attitudes to football often struggle to keep up with the pace of change. Rooted in clichés and stereotypes, we continue to hold certain expectations long after it should have been obvious that they are unrealistic and when, inevitably, they go unfulfilled we remain perpetually surprised.