Today marks the thirteenth anniversary of the death of John Peel, so I’m Keeping It Peel with a choice session from his long-running Radio 1 show. Since we also tragically lost Soundgarden’s astonishing vocalist Chris Cornell earlier this year, I decided on this, recorded by the Seattle band in 1989 – just before the grunge scene exploded into the mainstream.
This session shows Soundgarden in a slightly different light to their usual downtuned metal-influenced rock, featuring as it does unexpected and rather fun versions of Sly & The Family Stone’s ‘Thank You (Falettinme Be Mice Elf Again)’ and John Lennon’s ‘Everybody’s Got Something To Hide (Except Me and My Monkey)’.*
As always with Soundgarden, I recommend you crank the volume up high – and while you do that, I’ll be off to play Badmotorfinger at the wrong speed in tribute to Peel and Cornell; two men who shaped my musical taste at a formative age.
Until next year, keep it Peel…
*If you fancy more unexpected and frankly odd cover versions, head over to Twitter and follow @UnlikelyCovers.
Autumn has officially arrived, and with it comes another season of having this glorious slice of perfectly-formed pop genius permenantly stuck in my head. Deliciously British and very distinctly Kinkish, you can immediately hear how the influence of this song and this band are still an integral part of modern music. Open all the windows to the Autumn sunshine and crank the volume high….
Inspired by a recent tweet on the subject of such songs, this time I threw the Playlisting suggestions box open to my Twitter followers. And, as ever, they didn’t let me down. Thank you to everyone (especially @sirsidneyp) who took part in the fun over on Twitter last night for their excellent contributions to this cracking playlist!
I’m sure I’ve forgotten loads of relevent tunes, so I’ll be adding to this playlist over time. If you have any suggestions of songs I might have missed, feel free to comment or tweet me, and I’ll add those too. Previous Playlisting posts can be found here, here, and here.
I know, it’s already January 2017 – but better late than never…
Having spent a large chunk of 2016 pretty much immobile, I haven’t managed to pay my favourite record stores the usual regular visits over the last eight months or so – which means I have been very grateful to the good friends (they know who they are) who have helped out by providing my fix of new music, especially during the latter part of the year. None of them will be surprised that a high proportion of their selections appear on this list!
As usual, this is a very personal and fairly eclectic list, and consists solely of the albums I enjoyed the most in 2016 – I tend to ignore media end of year lists, and focus instead on the music I actually like instead of the bands and albums the music press tell me I should be into. Inevitably, they occasionally get it right and there is some crossover with my list, but compiling these choices is all so subjective anyway…
This is why I owe the late Sir George Martin (and the Beatles) a small and personal debt of gratitude.
When I started this blog in the summer of 2009, one of the first things I needed to do was give it a name. My previous blog hadn’t been called anything, it was just an extension of my MySpace account (yeah, I know…), so it really wasn’t a subject that I’d ever given any serious thought to. I spent several afternoons scrolling through the hours and hours of music on my laptop, hoping to hit upon a song title or a lyric that would fit in with what I was trying to express with this smart new blog I was so excited about.
Eventually, I gave up in frustration and just let the music play (as a wise lady once sang) while I got on with my work. I admit that I wasn’t really paying attention by the time the Beatles’ Revolver began playing – my mind had wandered off elsewhere, as it is wont to do. It would be true to say that I’m not the world’s biggest Beatles fan full stop (in fact, my views on them could well be considered somewhat…. iconoclastic, perhaps), but I do love Revolver. It’s the perfect transitional album between the ‘pop’ Beatles and the ‘psychedelic’ Beatles, effortlessly picking up where Rubber Soul left off, and it is arguably some of George Martin’s finest work.
Suddenly, that lovely, upbeat almost Motown-style brass opening of ‘Got To Get You Into My Life’ kicked into my headphones and Paul McCartney began to sing:
I was alone, I took a ride, I didn’t know what I would find there/Another road where maybe I could see another kind of mind there
I instantly sat bolt upright in my chair. That. Was. It. Another kind of mind – it was perfect. It was me. As someone of an imaginative bent who has also had experience of mental illness, I guess I’ve always felt like I do have another kind of mind. It just sounded right. Much later on, I discovered McCartney had written the song about his early experiences with cannabis, and that also amused me no end. It really was the perfect name for this blog then, and it still is today.
So, thank you George Martin – without your genius, the Beatles might never have made Revolver, and this Another Kind Of Mind would have been very different (and probably nowhere near as much fun)…
Frankly, I’m in shock. It’s been a horrible year or so for music fans, with so many greats leaving us – but this was so unexpected, especially as a brand new David Bowie album, Blackstar, was only released a couple of days ago. Now it seems like that the album was his way of saying goodbye, a last gift for his fans.
As an 80s kid, I was always drawn to Bowie’s striking appearance and the music he was making at the time (plus there was Labyrinth, and the lovely intro he did for The Snowman). But it wasn’t until I was older that I began to explore his 70s output, and it immediately struck a chord with me. Here was a man whose music and image told people like me that it didn’t matter that we felt like freaks and weirdos, that we felt different to the rest of the world – in fact, it was a good thing and we should nurture and treasure our differences, our weirdness. He was uncompromisingly himself (whoever that was at any given time) and we should be too.
And that was a message I, and so many others, needed to hear.
For all the immediate, visual theatricality of Ziggy Stardust and Aladdin Sane and all the rest, Bowie was real, and that’s why he had such an impact. If it had only been the front, the image, I doubt he would have become as iconic as he did. Instead, he had the image, AND the passion, the commitment and oh! so very much the music. And it’s the music which secures his immortality, beyond question or debate. So, it is with his music that I pay tribute today.
There is no easy way to say this…our mighty, noble friend Lemmy passed away today after a short battle with an extremely aggressive cancer. He had learnt of the disease on December 26th, and was at home, sitting in front of his favorite video game from The Rainbow which had recently made its way down the street, with his family.
We cannot begin to express our shock and sadness, there aren’t words.
We will say more in the coming days, but for now, please…play Motörhead loud, play Hawkwind loud, play Lemmy’s music LOUD.
Have a drink or few.
Celebrate the LIFE this lovely, wonderful man celebrated so vibrantly himself.
HE WOULD WANT EXACTLY THAT.
Ian ‘Lemmy’ Kilmister
Born to lose, lived to win.
For anyone who grew up on metal or punk, Motörhead were one of the ultimate, all-time legendary bands. And their frontman Lemmy was one of the ultimate, all-time legendary rock ‘n’ rollers. They simply don’t make ’em like him any more. Personally, I always thought he was immortal. I’ve always had this image of the aftermath of whatever apocalypse destroys us all: Lemmy and Keith Richards sauntering out of the smoke and debris and cockroaches with a couple of crates of bourbon, a guitar and a bass…
After all those Christmas blog posts, it’s time for another seasonal tradition on Another Kind Of Mind – my albums of the year list. As usual, I’ve ignored all the end of year ‘best of’ lists in every newspaper and music publication: these are the albums that I’ve personally loved most or found particularly interesting in 2015 (and yes, it’s been a good year for metal!). They’re listed alphabetically, since we’d all be waiting here until next Christmas if I tried to put them in any sort of order…
- Deafheaven – New Bermuda
- Death Cab For Cutie – Kintsugi
- Faith No More – Sol Invictus
- FFS – FFS
- Four Tet – Morning/Evening
- Iron Maiden – Book of Souls
- Kylesa – Exhausting Fire
- Leftfield – Alternative Light Source
- Lianne La Havas – Blood
- Little Boots – Working Girl
- Napalm Death – Apex Predator-Easy Meat
- Paradise Lost – The Plague Within
- PiL – What The World Needs Now…
- Run The Jewels – Meow The Jewels
- Slayer – Repentless
- Sleater-Kinney – No Cities To Love
- The Charlatans – Modern Nature
- The Chemical Brothers – Born In The Echoes
- The Selecter – Subculture
- Teeth of the Sea – Highly Deadly Black Tarantula
- Therapy? – Disquiet
I did, however, manage to put my Top 5 songs of the year in some kind of order for the Festive 50, and you can find them here.
Update 14/12/15: VOTING IS NOW CLOSED! Watch out for a link to the Top 50 soon…
Update 18/12/15: Sadly, none of my choices made the final list, but you can check out the full Festive 50 for 2015 here!
You know me, I love my lists! Over on Twitter, @TheFestive50 is busy compiling a chart of this year’s favourite songs (voting on Twitter closes next weekend, and the 2015 Top 50 will be available on the Festive 50 Mixcloud soon – you can find the final lists for the last two years at that link too). Obviously, this was a challenge I couldn’t resist. In reverse order, here are my top five choices….
5) Therapy? – Helpless Still Lost (from the album ‘Disquiet’):
As a long-time fan who always welcomes a new album by this kick-ass Northern Irish punk/metal trio, it was inevitable that I would include one of Therapy?’s excellent 2015 tracks in my top five – but it was really difficult to decide which one, since Disquiet (incredibly, their fourteenth studio album – I feel old) has pretty much been glued to my stereo on repeat since it came out earlier this year. With a sound and production which echoes their earlier material but that still feels fresh, this sludgy, riff-heavy clatter of a track was my eventual choice. This is a real return to form, and, like all of Therapy?’s best moments, this track manages to weave a bleakly twisted melody into the distinctively tangled raw-edged mesh of driving guitars and breakneck drumming that the band have utilised to great effect over the course of their career. More please!