Are we feeling spooky? If not, here’s a creepy treat for you this Halloween night. This funky little cartoon is an early Disney animation, and the first of their long-running Silly Symphonies series (reputed to have inspired Warners to call their equivalent Loony Tunes). The plot (what there is of one) is simple but effective: four skeletons cheerfully dance round a graveyard in the dead of night, only stopping their leaping, skipping and jumping when dawn begins to break.
Today marks the thirteenth anniversary of the death of John Peel, so I’m Keeping It Peel with a choice session from his long-running Radio 1 show. Since we also tragically lost Soundgarden’s astonishing vocalist Chris Cornell earlier this year, I decided on this, recorded by the Seattle band in 1989 – just before the grunge scene exploded into the mainstream.
This session shows Soundgarden in a slightly different light to their usual downtuned metal-influenced rock, featuring as it does unexpected and rather fun versions of Sly & The Family Stone’s ‘Thank You (Falettinme Be Mice Elf Again)’ and John Lennon’s ‘Everybody’s Got Something To Hide (Except Me and My Monkey)’.*
As always with Soundgarden, I recommend you crank the volume up high – and while you do that, I’ll be off to play Badmotorfinger at the wrong speed in tribute to Peel and Cornell; two men who shaped my musical taste at a formative age.
Until next year, keep it Peel…
*If you fancy more unexpected and frankly odd cover versions, head over to Twitter and follow @UnlikelyCovers.
Inspired by a recent tweet on the subject of such songs, this time I threw the Playlisting suggestions box open to my Twitter followers. And, as ever, they didn’t let me down. Thank you to everyone (especially @sirsidneyp) who took part in the fun over on Twitter last night for their excellent contributions to this cracking playlist!
I’m sure I’ve forgotten loads of relevent tunes, so I’ll be adding to this playlist over time. If you have any suggestions of songs I might have missed, feel free to comment or tweet me, and I’ll add those too. Previous Playlisting posts can be found here, here, and here.
There is no easy way to say this…our mighty, noble friend Lemmy passed away today after a short battle with an extremely aggressive cancer. He had learnt of the disease on December 26th, and was at home, sitting in front of his favorite video game from The Rainbow which had recently made its way down the street, with his family.
We cannot begin to express our shock and sadness, there aren’t words.
We will say more in the coming days, but for now, please…play Motörhead loud, play Hawkwind loud, play Lemmy’s music LOUD.
Have a drink or few.
Celebrate the LIFE this lovely, wonderful man celebrated so vibrantly himself.
HE WOULD WANT EXACTLY THAT.
Ian ‘Lemmy’ Kilmister
Born to lose, lived to win.
For anyone who grew up on metal or punk, Motörhead were one of the ultimate, all-time legendary bands. And their frontman Lemmy was one of the ultimate, all-time legendary rock ‘n’ rollers. They simply don’t make ’em like him any more. Personally, I always thought he was immortal. I’ve always had this image of the aftermath of whatever apocalypse destroys us all: Lemmy and Keith Richards sauntering out of the smoke and debris and cockroaches with a couple of crates of bourbon, a guitar and a bass…
Last year, I posted a list of recommended books about music. The initial list was made up of my selections, but when I asked for any books I may have missed, the wonderful people on Twitter sent me so many new titles that I had to compile a second list!
I have recently updated both lists with even more recommended texts, and you can check them both out here:
Recommended Reading: Books on Music (my personal list)
Recommended Reading: Books on Music – Your Choices (the Twitter crowdsourced list)
If you have any more books that you’d like to see on the crowdsourced list, please do get in touch here on on Twitter.
NOTE: As of October 2015, a lot of the videos featured in this playlist have sadly disappeared from YouTube. However, I’m leaving it up for what’s left, and because there are a number of other sites linking to it.
It’s hard to believe that it’s now ten years since John Peel died. It’s still hard to believe there will be no more listening to his show on headphones, half-asleep under the duvet: no more sessions from obscure and noisy bands from the middle of nowhere making you go ‘wow!’, no more grinning as Peel played yet another record at the wrong speed, no more cheeky on-air references to his beloved family and equally beloved Liverpool FC.
For the generations of music fans who grew up on John Peel’s legendarily eclectic and very human late night Radio 1 show, he opened the door to a whole new world of music – the kind of stuff you’d never hear on daytime radio, let alone find in mainstream High Street record shops. For all sorts of young and up-and-coming bands, it became a badge of honour to be invited in to do a Peel Session, and, although quite a few of these acts never went much further than the famous Maida Vale studios, many of the bands he championed did go on to much greater things.
Personally, off the top of my head I can think of at least a dozen very different successful bands and artists I love who I first heard on Peel’s show. So, to celebrate this year’s #KeepingItPeel, I put together this playlist of great Peel Sessions (below) from every decade of his broadcasting career, along with a few moments from the man himself (including his fascinating 1990 Desert Island Discs and the famous moment on air when he played The Undertones’ ‘Teenage Kicks’ twice in a row).
Compiling this playlist was a real labour of love – there were sessions I vividly remember, sessions I’d forgotten, and some superb ones I’d never even known about in the first place. And on many of these recordings you can hear the voice of Peel himself, crackling out of the ether ten years on. I hope you enjoy my choices, and be sure to let me know if there’s something I might have missed. Send me any interesting links in the comments here or on Twitter and I’ll check them out.
Now crank up the volume….
Well. I wasn’t expecting this when I asked you to suggest any books on music I might have missed! When I compiled my original list, I thought I might get maybe half a dozen folk recommending their favourite music texts, if I were lucky – instead, I was sent suggestions by nearly forty different people. Indeed, at one stage last night, the tweets were coming in so fast that I couldn’t keep up with them all and make a note of all the book titles you were sending my way at the same time! My apologies if I didn’t reply then – but I did see and note down all of them, and all of them are here (apart from one or two that I couldn’t find any info for).
And there are some great books here. Some I had actually read and shamefully forgotten about (Joe Boyd’s White Bicycles and Legs McNeil’s Please Kill Me for a start), some classics which I really should have read but haven’t (such as Ian Hunter’s Diary of A Rock ‘n’ Roll Star), and some I’ve never heard of but will definitely be tracking down as soon as I can (like Mark E. Smith’s autobiography, which sounds terrifying!). But they’ve all been recommended by people whose taste and opinions I respect – and therefore I happily recommend them to everyone else…
Finally, I’d like to thank everyone whose contributions made this list possible. I’d thank all 37 of you individually, but we’d be here all night and this post would be even longer than it already is. You know who you are.
This list has, like the original, been divided into three sections for ease of perusal. Biography, Autobiography and Memoirs contains exactly that – books written by or about a band, artist or music industry insider. Scenes, Eras and Places lists volumes covering specific times, locations and musical movements that have had an important impact in some way. Finally, Collected Writings covers more general texts, and compilations of music journalism and other writings. Each section is listed in alphabetical order by the author’s surname and the date given is that of first publication where known, unless otherwise stated.
23/05/15: Having just updated my personal list of music books, I asked if anyone had any more suggestions for this crowdsourced list…. and Twitter, you did it again! Thank you SO much to all of you who have contributed to the makings of this amazing list – you’ll find all your new additions in bold type below. Any glaring omissions may well be found on my original list (see link above); if not then please do get in touch here or on Twitter.
Also, many thanks to @damiella, who pointed me in the direction of this excellent post on the subject of music books over at Quirk Books, and to @maffrj, who sent me a copy of Mark E. Smith’s autobiography last time round!
I’m often asked what books I would recommend to someone wanting to delve deeper into the history of the various popular music scenes of the past fifty years or so. That’s an interesting question, as there are so many fascinating volumes out there (and a fair few blatant cash-ins too, which really aren’t worth the paper they’re printed on). Rummaging through my own now-sizeable collection of music books inspired me to put together this list – that and being a total listoholic, as regular readers will know!
When it comes down to it, I’m not necessarily saying these are the ‘best’ books on music ever because that’s such a subjective definition – I’ve chosen these books because I have read and enjoyed them all, and because I think they would be of interest to those music fans wanting to learn more about the music they know and the music they don’t. Most of them will be easy enough to find – your local library or bookshop should stock many of these titles – but you may have to track down one or two online. They’re worth the effort though…
The list has been divided into three sections for ease of perusal. Biography, Autobiography and Memoirs contains exactly that – books written by or about a band, artist or music industry insider. Scenes, Eras and Places lists volumes covering specific times, locations and musical movements that have had an important impact in some way. Finally, Collected Writings covers more general texts, and compilations of music journalism and other writings. Each section is listed in alphabetical order by the author’s surname and the date given is that of first publication, where known.
22/05/15: Having since read yet more books on music, I decided to update my list with some new additions, which are in bold type. If you’d like to contribute to the really quite brilliant crowdsourced list of music books which resulted from this original list, please do get in touch here, or tweet me. Thanks!
Regular readers will know of my involvement in compiling Top 50 music lists – indeed, I’ve posted my complete 1970s and 1990s albums lists here in the past. For more information on the Top 50 Albums Lists project and more details of my Debut Albums choices, visit the Top 50s blog. You can also find a wide selection of other Top 50s from various different music fans over on the List of Lists.
50) The Charlatans – Some Friendly (1990)
49) The Verve – A Storm In Heaven (1993)
48) Chemical Brothers – Exit Planet Dust (1995)
47) Super Furry Animals – Fuzzy Logic (1996)
46) Elliott Smith – Roman Candle (1994)
45) Gram Parsons – GP (1973)
44) Daft Punk – Homework (1997)
43) The Postal Service – Give Up (2003)
42) Sex Pistols – Never Mind The Bollocks, Here’s The Sex Pistols (1977)
41) Carter The Unstoppable Sex Machine – 101 Damnations (1990)
40) The Prodigy – Experience (1992)
Once upon a time, there were four weekly music papers in the UK. These were Sounds, Record Mirror (both of which folded in the early 1990s), the New Musical Express (still published and better known as the NME) and the grandaddy of them all, Melody Maker, which originally dated back to the mid 1920s and finally gave up the ghost in 2000. Affectionately known as ‘inkies’ because they were once published on the kind of newsprint that covered your fingers in black ink as you turned the pages, these publications were a hugely important part of the lives of generations of British music fans and introduced many a music-mad teenager to the latest, greatest hot new thing. But they didn’t always get it right…
Melody Maker, in particular, began life as a paper aimed squarely at jazz and dance band musicians, and as such they stubbornly and snobbishly ignored the growth of a new kind of popular music that began to emerge in the 1950s – the ‘cheap and nasty’ threat of rock ‘n’ roll. If they did mention it, it was to dismiss it as a pointless and distasteful fad that they desperately hoped would never catch on, as reviewer and broadcaster Steve Race wrote in May 1956:
Viewed as a social phenomenon, the current craze for Rock-and-Roll material is one of the most terrifying things ever to have happened to popular music. […] Musically speaking, of course, the whole thing is laughable. […] The Rock-and-Roll technique, instrumentally and vocally, is the antithesis of all that jazz has been striving for over the years – in other words, good taste and musical integrity. […] It is a monstrous threat, both to the moral acceptance and artistic emancipation of jazz. Let us oppose it to the end.
The irony in this, of course, is that these are exactly the kind of negative things that were said about jazz in its early days too (and worse – a great deal of the criticism aimed at the jazz of the 1920s and 1930s had a distinctly and often openly racist tone to it). Even more ironically, a direct line can be drawn from the British ‘Trad’ jazz scene of the 1950s to the rhythm and blues-based rock scene of the early- to mid-1960s that gave us the likes of the Rolling Stones and the Yardbirds via the ‘Skiffle’ craze of the late 50s (which was where the Beatles started out….).