As with many things in life, I came across this somewhat bizarre little newsreel clip while I was looking for something else entirely (I was actually searching YouTube for videos of football being played in extreme weather – you can find my playlist of that here). When I saw this frankly odd snippet of film, I couldn’t resist posting it here for your enjoyment too!
Since we are in the midst of the Rugby Union Autumn Internationals and the Rugby League World Cup (England have reached the final!), it seemed like the perfect time to share this quirky look at what has to be one of the most unpleasantly cold and uncomfortably violent crossover sports imaginable (and I’ve played actual rugby. In the actual mud).
Filmed at the Streatham Ice Rink in south London (I honestly can’t see this type of game being played on the beautiful green reaches of the Twickenham pitch!), and, according to the narrator “a mixture of rugby and American footer”, this 8-a-side match between the Senators and the Royals doesn’t actually seem to have much in the way of tactics going on – unless you count falling over in a heap and shoving the opposition off the ice at 25mph as tactical play!
The world is a thoroughly horrible place at the moment. Every day it seems to get worse and worse. I don’t know about you, but I’m spending a lot of time looking at pictures of cute animals in an attempt to bleach my brain of the terrible things that appear on the news daily. It works – for a while, anyway. So here’s a newsreel snippet of some very trendy 1950s doggos in their designer outfits for you. I hope it makes you smile!
Once upon a time, there were four weekly music papers in the UK. These were Sounds, Record Mirror (both of which folded in the early 1990s), the New Musical Express (still published and better known as the NME) and the grandaddy of them all, Melody Maker, which originally dated back to the mid 1920s and finally gave up the ghost in 2000. Affectionately known as ‘inkies’ because they were once published on the kind of newsprint that covered your fingers in black ink as you turned the pages, these publications were a hugely important part of the lives of generations of British music fans and introduced many a music-mad teenager to the latest, greatest hot new thing. But they didn’t always get it right…
Melody Maker, in particular, began life as a paper aimed squarely at jazz and dance band musicians, and as such they stubbornly and snobbishly ignored the growth of a new kind of popular music that began to emerge in the 1950s – the ‘cheap and nasty’ threat of rock ‘n’ roll. If they did mention it, it was to dismiss it as a pointless and distasteful fad that they desperately hoped would never catch on, as reviewer and broadcaster Steve Race wrote in May 1956:
Viewed as a social phenomenon, the current craze for Rock-and-Roll material is one of the most terrifying things ever to have happened to popular music. […] Musically speaking, of course, the whole thing is laughable. […] The Rock-and-Roll technique, instrumentally and vocally, is the antithesis of all that jazz has been striving for over the years – in other words, good taste and musical integrity. […] It is a monstrous threat, both to the moral acceptance and artistic emancipation of jazz. Let us oppose it to the end.
The irony in this, of course, is that these are exactly the kind of negative things that were said about jazz in its early days too (and worse – a great deal of the criticism aimed at the jazz of the 1920s and 1930s had a distinctly and often openly racist tone to it). Even more ironically, a direct line can be drawn from the British ‘Trad’ jazz scene of the 1950s to the rhythm and blues-based rock scene of the early- to mid-1960s that gave us the likes of the Rolling Stones and the Yardbirds via the ‘Skiffle’ craze of the late 50s (which was where the Beatles started out….).