These are not the ‘best’ albums of 2014, because that is nigh on impossible to judge objectively – and everyone’s taste is different. Instead, this is a list (arranged alphabetically rather than in any specific order or rank) of the albums that I particularly enjoyed or was particularly struck by over the last year. I’ve ignored all the magazine/blog/website ‘best of’ lists and gone for the albums I actually like, not the ones that are considered especially hip or cool (because, let’s face it, I’m neither of those things!). Feel free to let me know what you think….
Antemasque – Antemasque
Aphex Twin – Syro
Behemoth – The Satanist
Earth – Primitive & Deadly
Electric Wizard – Time To Die
First Aid Kit – Stay Gold
Goat – Commune
Hookworms – The Hum
Inspiral Carpets – Inspiral Carpets
Wilko Johnson & Roger Daltrey – Going Back Home
Killer Be Killed – Killer Be Killed
King Creosote – From Scotland With Love
Johnny Marr – Playland
Mogwai – Rave Tapes
Thurston Moore – The Best Day
Bob Mould – Beauty & Ruin
Grant Nicholas – Yorktown Heights
Pharmakon – Bestial Burden
Royal Blood – Royal Blood
St. Vincent – St. Vincent
The Juan McLean – In A Dream
The Wytches – Annabel Dream Reader
Sharon Van Etten – Are We There
Wo Fat – The Conjuring
Thom Yorke – Tomorrow’s Modern Boxes
Other interesting things released in 2014 that are also worth a mention:
Pantera – Far Beyond Bootleg: Live From Donington 1994
Pixies – Doolittle 25
Soundgarden – Echo of Miles: Scattered Tracks Across the Path
Teeth of the Sea – A Field in England: Re-Imagined [EP]
The WordPress.com stats helper monkeys prepared a 2014 annual report for Another Kind Of Mind (cheers stats helper monkeys, hope you’ve got the day off today!).
Here’s an excerpt:
The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 10,000 times in 2014. If it were a concert at Sydney Opera House, it would take about 4 sold-out performances for that many people to see it.
We are now approaching the final hours of 2014, so as an added bonus, here’s a last blast of seasonal strangeness from the BFI’s National Archive for you all. The only thing I know about it is that this odd little film was shown in British cinemas in late 1949. I can find no other information about it, although some thought has clearly gone into it, and some of the special effects are really rather fun. Despite this film being more than sixty years old, it must be said that it’s still better than most of the tat British TV broadcasts on New Year’s Eve these days…
On a more personal note, thank you so much to everyone who has read, commented, liked, shared, suggested things, written guest posts and sent me stuff in 2014 – your interest and intellectual contributions keep Another Kind Of Mind (and me) going in more ways than one. I am incredibly lucky to have such a great bunch of readers!
Wishing you all much light, luck and love for 2015 – and a very Happy New Year!
NOTE: As of October 2015, a lot of the videos featured in this playlist have sadly disappeared from YouTube. However, I’m leaving it up for what’s left, and because there are a number of other sites linking to it.
It’s hard to believe that it’s now ten years since John Peel died. It’s still hard to believe there will be no more listening to his show on headphones, half-asleep under the duvet: no more sessions from obscure and noisy bands from the middle of nowhere making you go ‘wow!’, no more grinning as Peel played yet another record at the wrong speed, no more cheeky on-air references to his beloved family and equally beloved Liverpool FC.
For the generations of music fans who grew up on John Peel’s legendarily eclectic and very human late night Radio 1 show, he opened the door to a whole new world of music – the kind of stuff you’d never hear on daytime radio, let alone find in mainstream High Street record shops. For all sorts of young and up-and-coming bands, it became a badge of honour to be invited in to do a Peel Session, and, although quite a few of these acts never went much further than the famous Maida Vale studios, many of the bands he championed did go on to much greater things.
Personally, off the top of my head I can think of at least a dozen very different successful bands and artists I love who I first heard on Peel’s show. So, to celebrate this year’s #KeepingItPeel, I put together this playlist of great Peel Sessions (below) from every decade of his broadcasting career, along with a few moments from the man himself (including his fascinating 1990 Desert Island Discs and the famous moment on air when he played The Undertones’ ‘Teenage Kicks’ twice in a row).
Compiling this playlist was a real labour of love – there were sessions I vividly remember, sessions I’d forgotten, and some superb ones I’d never even known about in the first place. And on many of these recordings you can hear the voice of Peel himself, crackling out of the ether ten years on. I hope you enjoy my choices, and be sure to let me know if there’s something I might have missed. Send me any interesting links in the comments here or on Twitter and I’ll check them out.
Now crank up the volume….
Today is National Poetry Day, so (just like last year) I decided to share a poem with you. As this year’s theme is Remember, I’ve gone for one of the first poems I learned by heart as a child – and still remember with pleasure…
Quinquireme of Nineveh from distant Ophir,
Rowing home to haven in sunny Palestine,
With a cargo of ivory,
And apes and peacocks,
Sandalwood, cedarwood, and sweet white wine.
Stately Spanish galleon coming from the Isthmus,
Dipping through the Tropics by the palm-green shores,
With a cargo of diamonds,
Topazes, and cinnamon, and gold moidores.
Dirty British coaster with a salt-caked smoke stack,
Butting through the Channel in the mad March days,
With a cargo of Tyne coal,
Firewood, iron-ware, and cheap tin trays.
John Masefield (1878-1967) was Poet Laureate for thirty seven years between 1930 and 1967, and is also well-known for his classic childrens’ books The Midnight Folk and The Box of Delights – amongst a huge amount of other writings over his long life, both prose and poetry.
I was introduced to ‘Cargoes’ as a precocious poetry-reading child by my late mother and immediately fell in love with the tongue-twisting phrases and vivid, intriguing imagery. This is a poem to be learned, read aloud and remembered…
At the end of last month, I wrote my annual post about the Diagram Prize – which is probably the oddest, and certainly my favourite, literary prize of the year. The winner of the 2014 Prize was announced yesterday after a public vote, with top spot going to the very weirdly-titled (and possibly a little pointless?) How To Poo On A Date: The Lovers’ Guide To Toilet Etiquette by Mats & Enzo.
In a statement, the publishers of How To Poo On A Date drily commented:
We are very happy and honoured that the public thought our book worthy of first place in this much sought-after prize; we’d have been disappointed to be number two.
Well folks, we’ve reached that time in the literary calendar again. The nominations have been announced for the 2014 Diagram Prize, which is awarded annually to the book with the oddest title of the year – and just so happens to be my favourite book award for that very reason (you can read about previous Diagram Prizes here).
So, as usual, here are this year’s prestigious nominees (and yes, these are all real, published books)…
Working Class Cats: The Bodega Cats of New York City by Chris Balsiger and Erin Canning
Are Trout South African? by Duncan Brown
How to Poo on a Date by Mats & Enzo
Pie-ography: Where Pie Meets Biography by Jo Packham
How to Pray When You’re Pissed at God by Ian Punnett
The Origin of Faeces by David Walter-Toews
I’m not sure what my choice would be yet, but I’m currently leaning towards the South African fish for some reason. If you’d like to cast your vote for this year’s prizewinner, visit We Love This Book here. The results will be announced on March 21st and I’ll be reporting back on the title of the victorious volume…