Today is National Poetry Day, so (just like last year) I decided to share a poem with you. As this year’s theme is Remember, I’ve gone for one of the first poems I learned by heart as a child – and still remember with pleasure…
Quinquireme of Nineveh from distant Ophir,
Rowing home to haven in sunny Palestine,
With a cargo of ivory,
And apes and peacocks,
Sandalwood, cedarwood, and sweet white wine.
Stately Spanish galleon coming from the Isthmus,
Dipping through the Tropics by the palm-green shores,
With a cargo of diamonds,
Topazes, and cinnamon, and gold moidores.
Dirty British coaster with a salt-caked smoke stack,
Butting through the Channel in the mad March days,
With a cargo of Tyne coal,
Firewood, iron-ware, and cheap tin trays.
John Masefield (1878-1967) was Poet Laureate for thirty seven years between 1930 and 1967, and is also well-known for his classic childrens’ books The Midnight Folk and The Box of Delights – amongst a huge amount of other writings over his long life, both prose and poetry.
I was introduced to ‘Cargoes’ as a precocious poetry-reading child by my late mother and immediately fell in love with the tongue-twisting phrases and vivid, intriguing imagery. This is a poem to be learned, read aloud and remembered…
Composed Upon Westminster Bridge, September 3rd 1802
Earth hath not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth like a garment wear
The beauty of the morning: silent, bare,
Ships, towers, domes, theatres and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendor, valley, rock, or hill;
Ne’er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! The very houses seem asleep;
And all that mighty heart is lying still!
William’s sister Dorothy (1771-1855) was also a writer, and she kept a journal. It is this entry, recording a journey taken by the siblings through an early-morning London in July 1802, which is said to have inspired him to write this sonnet:
… we left London on Saturday morning at ½ past 5 or 6, the 31st July (I have forgot which) we mounted the Dover Coach at Charing Cross. It was a beautiful morning. The City, St Pauls, with the River & a multitude of little Boats, made a most beautiful sight as we crossed Westminster Bridge. The houses were not overhung by their cloud of smoke & they were spread out endlessly, yet the sun shone so brightly with such a pure light that there was even something like the purity of one of nature’s own grand Spectacles.