Tagged: New Order

January Update

Urgh. So, it’s January. And I must, again, apologise for my quietness on the blogging front, although I am sure that many of my readers will understand how things go when ill health rears its ugly head. Anyway, I do have some new odds and ends coming your way over the coming weeks, including, of course, more historical meanderings and the kind of general randomness that tends to happen round here rather a lot.

However, next up will be my long-awaited Albums Of The Year post – although it won’t be in any particular order on this occasion because I gave up trying to do that some time ago. As far as I’m concerned, 2014 was a year of waaaay too many great albums to even think about which one was the ‘best’, and it’s all so subjective anyway (as I am sure you will tell me in the comments and on Twitter!).

Then, since the first indication that 2015 is general election year has already dropped through my door, my occasional Election Propaganda series will be returning with a bang – this time, on Labour’s plans for the NHS. Watch out for more Election Propaganda posts over the coming months as I dissect the partisan rubbish that all the political parties send through the post in the run up to May…

Oh, and after all that ridiculous ‘Blue Monday’ nonsense (ummm… depression doesn’t work like that) earlier in the week, here’s the actual ‘Blue Monday’ for you. I recommend that you crank the volume and dance like no-one’s watching round your living room/office to this work of musical genius:

That’s better.

Keep warm,

claire x

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A New Blue Monday – the Continuing Misadventures of Madchester and the Hacienda

So it appears that New Order’s legendarily low-slung  and grumpy bassist Peter Hook has written a book. I must admit I was pretty astonished when I heard the news as I’d never had Hooky down as the literary type, although I was less surprised when I heard what the book was about (of which, more below)….

Hooky’s authorial outpourings are just the latest installment in this year’s exciting episode of the continuing saga of the 80’s and 90’s Manchester music scene; a long-running and often quarrelsome saga that refuses to go away, despite the fact that many of its protagonists have long since produced their best material and should probably have sloped off into quiet rock legend retirement quite some time ago.

So far this year, we’ve had the latest set of  rumours of a Stone Roses reformation (please god, never! I’d rather remember them at their incandescent early best than as the meandering stoner rawkers they had become by the end), rumours which appear to have been finally and firmly squashed by the recent news that Ian Brown – who did, after all, get custody of the talent when the Roses split – is to form a supergroup with the equally legendary Smiths/Electronic/Modest Mouse guitarist Johnny Marr. In fact, the Roses have been positively blooming this year (sorry…), what with the 20th anniversary special edition re-release of their truly classic and nigh-on perfect self-titled debut album getting rave reviews in the music press all over again, and guitarist John Squire’s solo art exhibition receiving column inches galore (admittedly, mainly only after it was noticed that one of the installations stated in no uncertain terms that he would play no part in any Roses reformation).

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